Wednesday 6 February 2013

Archasia Hong Kong celebrates 25 years with Grover Dear FAIA at the helm


Celebrating 25 years under the leadership of Grover Dear FAIA, the team at Archasia Hong Kong hosted a gala dinner at the prestigious Asia Society on 25 January 2013 that was attended by industry luminaries from around the world.  A host of clients, family, friends and peers gave emotional tributes to the man that has become synonymous with luxury hospitality design and ultra-high end residential interiors.


Rebecca Chung, Grover Dear & Francis Hui

Grover was equally honoured at being permitted by the Asia Society to hold the gala dinner in their new premises in Hong Kong.  Entertainment was provided by video retrospectives that interacted with live dancers on the stage and the evening was emceed by author, humorist and bon viveur, Nuri Vitachi.  Grover specially acknowledged two of his colleagues at Archasia, Francis Hui who has worked with him for 28 years and Rebecca Chung, cheekily acknowledged as his boss for the past 13 years.  “I cannot imagine that having the happiness and success that Archasia has brought to me and hopefully a few of you around,” the ever-gracious Grover stated to the audience. “I cannot imagine having done this without the help and support of these two lovely people.”  After a heartfelt round of applause from the audience Grover presented both Francis and Rebecca with a gold medallion that commemorates Archasia’s 25th year.

Tributes from guests were heartfelt and the esteem in which clients, peers and friends held him was one of the highlights of the evening.  The tributes were rounded off by an endearing homage from Grover’s sister, Deanna Dear Sanders.


Toast by Deanna Dear Sanders

Archasia’s impressive client list was rolled out on screen and included royalty, tycoons, leading hotels including the residences of hotel owners, family and friends that spanned the globe.


Asia Society Hong Kong

Thursday 7 June 2012

Club Med Valmorel





Club Med Resort Valmorel – France
Article by: Tony Smyth
Photo Credits: Bruno van Loocke



Located in the heart of the French Alps in the picturesque Tarentaise Mountains, the Four Trident (T4 -  equivalent to upper 4-star) Club Med Valmorel Resort has a prime location in an authentic and charming Savoyard station at an altitude of 1,460 metres.  Designed by architect Pierre Diener, the resort fits into the natural surroundings and has been awarded France’s NF Démarche HQE certification for the resort programme and design reflecting the resort’s high environmental quality.  The resort also offers five star chalet apartments.

The 345 Club rooms, 49 deluxe rooms, chalets, public areas and restaurants were designed by Paris-based interior designers Marc Hertrich and Nicolas Adnet.  Both designers have worked on several Club Med properties around the world as part of the brand’s revitalisation and upgrade programme.

“Our relationship with the Club Med is really exceptional, based on real confidence,” says Hertrich.  “Nevertheless, this project was a pitch winner. Our proposal of layout between the room and the bathroom, which is totally innovative, mainly helped us to win this Club Med chalets contest.”

The all-inclusive concept in a new setting was driven by the changing expectations of its guests prompting Club Med to surge upscale to reach out to and retain a demanding international family clientele. Since 2005 the group has been refocusing its activity on 4 and 5 Trident Resorts, 5 Trident (T5) Luxury Spaces and Luxury Villas by Club Med and constantly innovating to develop its offer: sites of natural beauty, a wealth of activities, comfortable settings, tailored services.

Responding to Club Med’s policy of creating new welcoming and high-end villages led Hetrich and Adnet to create a contemporary, authentic (inspired by location), luxurious but not ostentatious welcoming atmosphere for the new resort.

Describing the hotel, Hertrich says, “It is really a new palace for the 21st Century set in the mountains, comfortable, huge, surprising, creative, in the spirit of time and ideal for families.”

The resort is surrounded by chalets, in which the design team have created contemporary mountain apartments.

“We wanted to create warm and comfortable atmospheres in very big spaces and volumes in the chalet living rooms and the resort dining rooms,” says Adnet. “Another important thing was to turn these different atmospheres into something magical and dreamlike such as in the lobby, the main restaurant, the spa and the T5 spaces.”

Hertrich and Adnet worked with the architect to review some circulations and some spaces inside the Club Med village, as well as its connections.  Juxtaposing their design with the outside architecture, which takes its inspiration from the traditional style of the villages, the interior design duo decided to work with more modernity on the interiors.  In the chalets they chose to use local natural materials such as wood, stone and slate to endow authenticity, warmth and charm.

“As always and for all our projects, the local context is key,” says Hertrich.  “The magnificent views of the mountains determined the position of the bed in many rooms which were placed in front of the window where possible.”


Sustainability was also a major consideration and using local building practices, materials whenever possible was pursued.
Working with a resort that tailors to families and that also has a high level of sporting activities, programming the space to allow for intimate spaces, public areas, dining and specialist sports facilities such as ski room, swimming and children’s play areas offered the design team an interesting interplay between the residential and the active areas including the bar which hosts performances and opens late into the night.

With such a vibrant mix of venues and a constant stream of arriving and departing guests the designers worked with an acoustician, a light designer and a sound specialist to ensure that the overspill from revellers and sporting activities would not impact on the relaxation of the guests in their rooms.  A mix of absorbent materials such as wood, fabrics, and more upscale materials including velvet and leather on furnishings and walls were used to absorb sound.  Acoustical ceilings were fitted for the swimming pool, some restaurants and the corridors.

Hertrich and Adnet wanted to create an atmosphere to make for luxurious and welcoming holidays for both the winter ski and summer alpine seasons.

“We wanted something different for this resort that would be comfortable and relaxing but with some humorous hints,” says Adnet.  “The walls are covered with tavaillon tiles and the pillars dressed like trees and throughout the space artistic oversized animal sculptures of deer, antler chandeliers and sconces and other whimsical touches.”

For the arrival experience the idea was to set the scene straight away at the entrance by creating surprise by inviting the customers to walk through a land of a fantasy forest, a magical atmosphere not typical of other mountain resorts.

The designers used different types of furniture to bring this to life: a farm table as the welcome desk is also reminiscent of the refectory tables from a monastery and a giant globe as the ‘Observatoire d’Eté’.  They also employed different versions of the four seasons theme on floors, walls, and ceilings and the four dining rooms are also imbued with these seasonal elements.  Giant milk pails were placed in the mountain restaurant and wooden sheep graze by the swimming pool.  The traditional materials have been reinterpreted to create an authentic and cosy mountain atmosphere but in a diverted way in order to avoid the classical resort cliché.




The colour scheme and textural qualities of the spaces use predominantly natural tones but with a accents of bright contrasting colours in each area.  Red was used for the animation and conviviality spaces, orange for the autumn room, white for the winter salon, pink and green for the spring salon and blue for the summer salon dining spaces.  Bedrooms were personalised in orange and rust tones.

The resort has several F&B areas including the main bar, a VIP ‘bar de la tour’, the main restaurant with two different buffets and four different dining rooms, the baby restaurant and the specialty mountain restaurant.

“We wanted to create very different atmospheres in order to offer each customer the possibility to choose between breakfast, lunch and dinner and to change location throughout the week,” says Hertrich.  “These different venues have their own identity but they share the same spirit of authenticity, modernity, comfort and friendly luxury.”

The main bar takes its inspiration from the rocks of the mountains in a very cosy lounge all in wood with slate grey finishes punctuated with red. The VIP bar is a more intimate space ideal for the end of the evening occupies on two levels in an octagonal tower.

The main restaurant with its two buffets was inspired by Haute Cuisine.  The Spring dining room is very colourful and decorated with branches and birds whilst he Summer room takes its inspiration from the observatory in which guests can discover the stars in summer. Two huge deer on the main table gives a certain magnificence to the autumn dining room and the winter salon is very white punctuated with black, decorated with antlers.

The specialty restaurant, the Laiterie, gives tribute to the land, the rural communities and evokes the theme of the cheese dairy decorated with milk pails and other dairy utensils.  The baby restaurant is dedicated to the resort’s youngest customers and is an extension of the Laiterie.


The decorative direction concept for the bedrooms within the resort proper was to bring warmth and mountain comfort to a user-friendly and contemporary bedroom.  This would contrast with the whiteness of the snow-covered mountains outside and also to psychologically evoke warmth from coming in from the cold.

Wood, white velvets for the curtains, chromium-plated lanterns resume the a fairy tale themes with paintings depicting white forests sparkling with frost.

“For bedrooms we wanted to create a unique experience which is to walk through the bathroom to get into the bedroom,” says Adnet.  “This helped us to gain some space in the middle of the bathroom and to make the most of space at the end to maximise views.”

In the T5 suites, a lot of space was devoted to the different areas with a common living room shared by parents and children to give a more friendly, family oriented atmosphere.  The charm of the living room comes from the wall lamps made of metal, laser cut leaves. A collection of paintings of mountain vistas, which could belong to an art lover have been hung in the living room. The different heights of the carpet seem to show a pattern of a geographical map of the mountain and the colours that punctuate the room are inspired by berries found on the mountain pastures.

The bathrooms are very generous in size and have wide openings into the bedrooms.  Finished with wainscoting and panels covered with leather that add warm luxury with slate flooring for additional style.

“For the lobby, high traffic areas and the corridors, we carefully worked on the carpets and the rugs choosing modern versions of Aubusson rugs,” says Adnet. “The red carpets are imprinted with animal foot prints of boar, deer and birds.”

The many sculptural elements specifically designed and manufactured for this new Club Med are the hallmark of this project. 

According to the design duo, the stylised tree trunks, the chandeliers in metalized wood - some of them over two metres in diameter, many oversized sofas, rocking chairs ideal for reading, turned wooden huge consoles, generous wall lamps made of winding branches which punctuate the corridors all combine to create an atmosphere of luxury, peace and pleasure.

“We love in particular the atmosphere of the specialty restaurant with its armchairs from the fifties, giving a modern twist to a traditional restaurant,” says Hertrich.  “The very positive feedback we have received from our customers since the opening shows that we have succeeded to create a new mountain village ambitious, luxurious, warm and friendly.”




Tuesday 3 January 2012

Moving HA+D onwards






Hi Everyone,

After three years establishing HA+D through some of the toughest economic times, we have parted ways with our joint venture publishing house as they cannot seem to see the future in printing the magazine anymore - especially in Asia.  So that leaves me in a quandary:  Should I continue with a reworked print edition model to serve the industry that I started building with Hospitality Design (Asia Pacific & Middle East) in 2005 or look towards the digital arena to give concise reviews, design synopses, great pictures and schematics as well as industry thought leadership essays and interviews?

This is my first attempt at blogging and I feel that it could be a much more interactive way for our industry to discuss and appraise projects and topics that affect the way we design and build hospitality projects; whether they be hotels, resorts, restaurants, spas, bars and nightclubs or other up and coming guest experiences such as serviced apartments, sports clubs etc.

My media company is Trefoil Media Group and along with Eileen Chang, my co-founder at HA+D and TMG, we are committed to building communities and then fostering the relationships that we have built in order for those in the industry to learn the best in design business knowledge and find the latest products that are available to us to create outstanding guest experiences and build successful businesses.

Let me know what you liked about HD and HA+D (Hospitality Architecture and Design), what you didn't and what you would like to have discussed on this blog.

As in anything we do, the interaction of those who participate is paramount to this being successful and more importantly beneficial to the community we serve.  That community encompasses owners and operators, architects and interior designers as well as the services and manufacturers that realise our design ideas.

I look forward to hearing from you and thank you for your support over the years.

Happy New Year,

Tony Smyth
Managing Director + Chief Editor